Was the introduction of sound to cinema a crime? If so, Fritz Lang commits in the first-degree in his seminal thriller/drama M! Crossing paths with the radio medium and the crumbling Weimar Republic, M's soundscape is rich with texture and subtle connotation, though what strikes your hosts the most is Lang's deployment of silence. Join them as they hunt for an answer in the midst of German political cacophony as they discuss this classic's immaculate cinematography, genealogical relation to other films, and dissect Arnheim's thoughts on a pure cinema!
Michael P. Ryan's Article - Fritz Lang's Radio Aesthetic: M. Eine Stadt sucht einen Mörder
Was the introduction of sound to cinema a crime? If so, Fritz Lang commits in the first-degree in his seminal thriller/drama M! Crossing paths with the radio medium and the crumbling Weimar Republic, M's soundscape is rich with texture and subtle connotation, though what strikes your hosts the most is Lang's deployment of silence. Join them as they hunt for an answer in the midst of German political cacophony as they discuss this classic's immaculate cinematography, genealogical relation to other films, and dissect Arnheim's thoughts on a pure cinema!
Michael P. Ryan's Article - Fritz Lang's Radio Aesthetic: M. Eine Stadt sucht einen Mörder