Call us, listener. Dolly Back feels positively electric about finally visiting the world of David Lynch, in his 1997 neo-noir Lost Highway! A product of pure, postmodern pulp, it also samples as a brilliant encapsulation of the end of the 20th century, where digital continues to intercede between spectators and their perception of reality, Americana undergoes a tragic metamorphosis, and time is thrown to the wind! Join your hosts on their getaway as they discuss the spatial politics of Robert Blake's Strange Man, the delightfully bifurcated narrative, and the all-too-real foundations of its storyline...
Call us, listener.
René Thoreau Bruckner's Article - Why Did You Have to Turn on The Machine?
Call us, listener. Dolly Back feels positively electric about finally visiting the world of David Lynch, in his 1997 neo-noir Lost Highway! A product of pure, postmodern pulp, it also samples as a brilliant encapsulation of the end of the 20th century, where digital continues to intercede between spectators and their perception of reality, Americana undergoes a tragic metamorphosis, and time is thrown to the wind! Join your hosts on their getaway as they discuss the spatial politics of Robert Blake's Strange Man, the delightfully bifurcated narrative, and the all-too-real foundations of its storyline...
Call us, listener.
René Thoreau Bruckner's Article - Why Did You Have to Turn on The Machine?